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Nineteenth-Century Printing
Practices and the Iron Handpress
with Selected Readings
by Richard-Gabriel Rummonds
Foreword by Stephen O. Saxe
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Nineteenth-Century Printing Practices and
the Iron Handpress is encyclopedic
in its examination of printing techniques from the
late-seventeenth-century through the nineteenth-century. Using
selected readings from printers’ manuals –
beginning with Joseph Moxon’s Mechanick Exercises (1683) and culminating with John
Southward’s Practical
Printing (1900) – Gabriel
Rummonds has distilled over two hundred years of
printers’ wisdom into a very readable and important text
on iron handpresses and how they were used in the nineteenth
century. This remarkable book represents over twenty years of
research and scholarship by one of the most celebrated fine
press printers of the twentieth-century. With almost five
hundred rare and scarce woodcuts, engravings and photographs,
and the most comprehensive annotated bibliography on the
subject ever printed, this monumental, two-volume work stands
alone in the annals of printing history. Nineteenth-Century Printing Practices and the Iron
Handpress is a worthy companion to
Rummonds’s 1998 classic, Printing on the Iron Handpress.
Oak Knoll Press and The British Library
2004
8 x 11 inches, 1152 pages in 2
volumes
Autographed copies are available from
Wessel and Lieberman booksellers in Seattle.
Advance Acclaim
A thousand volumes have been written on
the technical and historical side of printing. In this
encyclopedic work, Gabriel Rummonds has distilled a half-millennium’s worth of printers’ wisdom into one
well-written and incredibly researched masterpiece. With almost
five hundred rare and scarce illustrations and the most
comprehensive bibliography on the subject ever printed, this
work stands alone in the annals of printing history.
– John Lewis, Author,
Printer, Publisher
Here, in one book, Richard-Gabriel
Rummonds has brought together every important source in English
of our knowledge of historical printing practices. Further, he
has interpreted, through his own unsurpassed personal
experience, each of the many readings from the
printers’manuals. The exhaustive bibliography is, in
itself, an extremely valuable resource for readers and
researchers. This is a remarkable book, and one which I think
will become part of the legacy of letterpress manuals. Nineteenth-Century Printing Practices and the
Iron Handpress could be
considered the last great printers’ manual, and one
worthy of standing beside Moxon’s and those that followed
him.
– Stephen O. Saxe,
Author of American Iron Hand
Presses
At last, Gabriel Rummonds has completed
this long-awaited set of companion volumes to his celebrated
Printing on the Iron Handpress, published by Oak Knoll Press
in 1998. Packed with information and liberally illustrated,
this new work will be an indispensable resource for students,
historians, and printers interested in obtaining a
comprehensive understanding of the technology and practice of
nineteenth-century iron handpress printing, as explained by the
very printers who used these presses on an intimate and daily
basis. Organized into chapters on personnel, printing
equipment, maintenance, composition, and technique, this
exhaustively documented two-volume set incorporates relevant
readings from every major printing manual and most of the minor
ones. No aspect of printing-office operation is overlooked, and
Rummonds even provides historic remedies for aching fingers!
Three valuable appendices complete this publication, including
a very useful concordance of citations from the first
printers’ manual ever published — Joseph
Moxon’s Mechanick Exercises of
1683.
A meticulous craftsman
and fine handpress printer in his own right, Gabriel Rummonds
has spent the better part of his life in the study and mastery
of the iron handpress. It is as familiar to him as his right
arm and as easily directed to his will as the pen is by the
consummate calligrapher. There could be no better guide to the
literature and operation of this deceptively simple printing
device and its many absorbing and rewarding challenges.
– David Pankow,
Rochester Institute of Technology
About the Author
Richard-Gabriel Rummonds is acknowledged
as one of the pre-eminent handpress printers of the twentieth century.
For almost twenty-five years, using the imprints of the Plain
Wrapper Press and Ex Ophidia, he printed and published
illustrated limited editions of contemporary literature on the
iron handpress, primarily in Verona, Italy, and Cottondale,
Alabama. In 1999, a major retrospective exhibition of his work
was held at the Biblioteca di via Senato in Milan, Italy. He
was appointed founding director of the MFA in the Book Arts
program at the University of Alabama in 1984. He has also
taught typography and type design at Cornish College of the Arts
in Seattle, Washington, where he presently lives. He can be
contacted at g.rummonds@att.net .
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Cover, volume 1
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Cover, volume 2
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From the Introduction, pages 6-7
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Pages 100-101
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Pages 158-159
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Pages 324-325
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Pages 434-435
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Sample page spreads are Adobe Acrobat PDF
files.
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